Graphic design

As a graphic designer at enjoei, a Brazilian marketplace for new and pre-owned items, I created banners, newsletters and campaign pieces for the website and app, following the brand’s light and irreverent tone.

New visual identity for Fretadão, a charter bus company for employee commuting, and the brand guidelines covering logo, variations, minimum size, colors, icons and typography.

Lato is the main typeface, for headings, and Rubik is used for body text. The guidelines also show the brand applied to the app and social media.

Visual identity for a consultancy specialized in insurance. Before the visual work, I defined the brand’s vision, audience and attributes with the client, and analyzed the identities already used in the industry.

The central concept was humanized support, explored through the letter G. The main green (#48746C) was chosen to convey stability and closeness.

Logo and visual identity for a platform that helps companies manage their employees’ transit benefits and occasional transportation.

The brand builds on the idea of intermodal transportation and its connections, to express practicality and trust.

Redesign of Jorge Amado’s novel Capitães da Areia (Captains of the Sands), developed for the Editorial Design course of my Graphic Design degree. The book measures 28 × 28 cm closed, a format chosen for a special edition.

The black, gray and yellow palette represents the contrast between the sand and the concrete of the city. The illustrations are my own, referencing Brazilian popular woodcut prints, and the typefaces simulate movable-type printing.

Logo for a family-owned pasta business, with graphic elements and typography that evoke tradition and quality.